Ridley Scott is a director of contradictions. On the one hand, he’s one of Hollywood’s last great technicians of human epics. On the other, ...

How appropriate that Zack Snyder’s vision for Justice League ended up being a long, melancholy, mournful, patient, troubled and yet ultimat...

The Way Back is a character study in the structure of a sport’s movie. It's the kind of movie we say they don't make anymore, a t...

The Accountant is a stupid movie dressed up like a smart one. At its core the picture is pure preposterous pulp. Ben Affleck play...

Having seen 2013’s Man of Steel , Zack Snyder’s Superman reboot which was a serviceable origin story retelling until it exploded ...

Gone Girl is a sick dispatch from the dark center of a poisoned culture. It’s a missing person thriller imbued with the tick-to...

To the Wonder is the kind of film that’s so evocative and thought provoking that to say it is about nothing says more ab...

In early 1980, an unknown producer quietly, but with a modicum of industry press attention, put a next-to-no-budget science fict...

The Town , the second directorial effort from Ben Affleck, is more or less a standard cops-and-robbers thriller, albeit one tilted in favor ...

If a thriller is like a pot of water, State of Play is centered on the right burner, simmers satisfactorily for a while, and manages to boi...