Pixar isn’t quite what it used to be, at least not consistently. Its latest feature,  Toy Story 4 , is clarifying both about what’s missin...

“Cursed be he that moves my bones,” reads William Shakespeare’s grave site. And yet here we are, once again digging up and extrapolating u...

If  Dark Phoenix  is really the end of the  X-Men  movies as we know them — before they are pulled into the homogenizing force of the MCU ...

Godzilla: King of the Monsters lacks the majestic poetry of the 2014 reboot to which it’s a sequel. That film drew added thrill in its a...

Brightburn is a high-concept horror movie that gathers its dread not only from spinning a classic story in an opposite direction, but fr...

Disney’s project is to make its product synonymous with childhood and then sell yours back to you in perpetuity. (That they've only e...

In case you hadn’t yet realized John Wick is positioned as a thinking filmgoer’s elegantly brutal action franchise, Keanu Reeves’ eponym...