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REVIEW ARCHIVE
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Saturday, August 24, 2019
Dead Man: THE NIGHTINGALE
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Jennifer Kent’s The Nightingale is too honest and too true to satisfy with easy answers. Its setup is pure rape-revenge melodrama thrille...
Sunday, August 18, 2019
She's Not There: WHERE'D YOU GO, BERNADETTE
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Where’d You Go, Bernadette is about a genius architect. She (Cate Blanchett, in another of her textured, tightly-wound, woman-on-the-verg...
Sunday, August 11, 2019
Call of the Child: DORA AND THE LOST CITY OF GOLD
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There has been no 2019 summer blockbuster more satisfying than Dora and the Lost City of Gold . A live-action remake of the nearly twenty-...
Dog Days: THE ART OF RACING IN THE RAIN
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Third time was the charm for 2019 to give us a passable based-on-a-book, narrated-by-a-dog drama. We simply had to go from bad to worse fi...
Wednesday, August 7, 2019
Lost Cause: THE DEAD DON'T DIE and SWORD OF TRUST
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This summer gave us two small, mattter-of-fact, hard-edged comedies from veteran indie auteurs that reflect the dark currents of our conte...
Sunday, August 4, 2019
Waking Life: LONG DAY'S JOURNEY INTO NIGHT
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Bi Gan’s Long Day’s Journey into Night (no relation to Eugene O’Neill’s play, as reportedly its Mandarin title more closely translates to ...
Thursday, August 1, 2019
Cars Too: FAST & FURIOUS PRESENTS: HOBBS & SHAW
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That Fast & Furious Presents: Hobbs & Shaw is occasionally good enough as a passably preposterous summer blockbuster is a fluke ...
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