Fiendishly clever, South Korean writer-director Bong Joon Ho’s Parasite is a slippery thriller. It appears to set up a simple haves-and-h...

Steven Soderbergh films have always been political, about systems and process, about inequalities and the thorny knots of injustice that g...

While watching Ang Lee’s Gemini Man , I found myself keeping a mental list of what works well and what works not at all when dealing with ...

Joker represents strained seriousness from two angles. It’s a comedy writer-director in Hangover helmer Todd Phillips trying his hand at...

Judy , in standard biopic fashion, is as intermittently moving as it is surface-level false. At best, it works, yet even there its sentimen...

This weekend saw two small-screen short-form programs make the leap to feature length. The more improbable is Between Two Ferns: The Movie...

Hustlers is a crowd-pleaser with the old-fashioned charm of a good story well-told. What a pleasure to sink into a narrative for the shee...