Those drawing connections between the current ongoing collapse of box office for big-budget Hollywood efforts in overfamiliar genres and the...

Andrew Haigh’s All of Us Strangers is a palpable portrait of loneliness and the long tail of childhood grief. It’s a film that feels haunte...

With Poor Things , director Yorgos Lanthimos returns to his pet themes: freedom and control, society and individualism, intellect and appeti...

Hayao Miyazaki’s The Boy and the Heron —though I prefer its more evocative Japanese title: How Do You Live —is a movie that feels intensely ...

Todd Haynes is a modern master of melodrama, with films that thrive in the tension of societal norms straining to restrain his characters’ n...

Beyoncé is the auteur of Beyoncé. She’s the director, on screen and off. Her public persona has been tightly controlled as she’s been able t...

I wonder how many people know that the saying about history repeating itself, first as tragedy and then as farce, is a paraphrase of Karl Ma...