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REVIEW ARCHIVE
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Sunday, January 28, 2024
Past Lives: THE ZONE OF INTEREST
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Writer-director Jonathan Glazer’s project is taking sub-genres that have hardened into particular closed modes and pushing out the walls unt...
Thursday, January 25, 2024
Talking Head: GET ON YOUR KNEES
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Early in Get On Your Knees , writer-performer Jacqueline Novak casually mentions that she used to write poetry in college. Based on the dens...
Monday, January 1, 2024
25 Favorite New-to-Me Movies of 2023
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25. Ernest Borgnine on the Bus (1997, Jeff Krulik) 24. The Earth Dies Screaming (1964, Terence Fisher) 23. Shopping (1994, Paul W.S. Anderso...
Saturday, December 30, 2023
Broadway Rhythm: WONKA and THE COLOR PURPLE
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Those drawing connections between the current ongoing collapse of box office for big-budget Hollywood efforts in overfamiliar genres and the...
Thursday, December 28, 2023
All Those Lonely, Lonely Times: ALL OF US STRANGERS
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Andrew Haigh’s All of Us Strangers is a palpable portrait of loneliness and the long tail of childhood grief. It’s a film that feels haunte...
Monday, December 18, 2023
Vindication of the Rights of Woman: POOR THINGS
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With Poor Things , director Yorgos Lanthimos returns to his pet themes: freedom and control, society and individualism, intellect and appeti...
Sunday, December 10, 2023
How Do You Live: THE BOY AND THE HERON
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Hayao Miyazaki’s The Boy and the Heron —though I prefer its more evocative Japanese title: How Do You Live —is a movie that feels intensely ...
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