Sunday, March 31, 2024

Crash of the Titans: GODZILLA X KONG: THE NEW EMPIRE

Each installment in the ongoing Hollywood Godzilla series is a little worse than the one before it. Ten years on, Gareth Edwards’ Godzilla looks all the better for its thundering portent and heavy sense of scale. He shoots with mystery and mass, letting the real terror of an enormous creature seep through each frame of its monster movie paces. Its direct sequel, Michael Dougherty’s Godzilla: King of the Monsters, is a little less realistic in its dimensions, but the overstuffed apocalyptic mood gives a fine pulp jolt to its escalating cast of kaiju overshadowing an efficient cast of scientists and soldiers. Both are about families caught in the wake of these creatures’ paths, which gives just enough emotionality to hang on the shattering potential of such a monster mash. That’s the main inspiration that keeps writer-director Adam Wingard’s contributions connected—aside from the set dressing and proper nouns that knit the cinematic universe together—to the character strengths of its predecessors. Though finding some sentimentally in King Kong expert Rebecca Hall adopting an adorable deaf Skull Island orphan (Kaylee Hottle), his Godzilla v. Kong was generally cartoony. It’s drifting toward the outsized and preposterous, but enough of a colorful smash-em-up to be diverting. Give me a giant ape and a giant lizard fighting a giant robot and fill it up with a neon sci-fi light show and I’m reasonably satisfied, I guess. 

Wingard leans into the dumb cartoon qualities even further for the new Godzilla x Kong: The New Empire. We’ve lost whatever felt even tangentially real or threatening in the earlier entries. Now it’s CG animation for long stretches as Kong meanders through the Hollow Earth fighting big wolves and munching on enormous worms, and Godzilla plays the burly kaiju bouncer for the world’s major cities, cliff jumping off Gibraltar or curling up in the Coliseum. Hall and Hottle return to wander down in search of a distress call from deeper into the Earth’s core—taking comic relief conspiracy theorist Brian Tyree Henry and swaggering veterinarian Dan Stevens for the ride. And then, once everyone’s assembled amid the special effects of a Hollow Earth within the Hollow Earth, a rumbling wrestling tag-team erupts when an evil big monkey riding an evil big lizard take on our eponymous monsters. It’s basically an effects reel staged with reverse shots of actors reacting. That the movie is essentially passable nonetheless says something about the enduring appeal of these beasties. When Kong picks up a Mini Kong and uses it as a club to smash other monster apes, there’s a certain lizard-brained appeal. Ditto the appearances of Godzilla collecting radioactive power-ups to fuel his big finale fight. But there’s no suspense or intrigue or awe—or any believable thin genre characterization to care about—left when it’s all pitched at the most extremely broad Saturday Morning level, with nothing to provide us but cartoons collapsing through skyscrapers.

Sunday, March 10, 2024

The Voracious Filmgoer's Top Ten Films of 2023



 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 

  


 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 

1. Asteroid City
2. Killers of the Flower Moon
3. Oppenheimer
4. The Holdovers
5. A Thousand and One
6. The Boy and the Heron
7. Past Lives
8. Spider-Man: Across the Spider-Verse
9. How to Blow Up a Pipeline
10. Magic Mike’s Last Dance

Honorable Mentions:
Afire; All of Us Strangers; Anatomy of a Fall; Are You There, God? It’s Me, Margaret; Barbie; The Creator; Guardians of the Galaxy Volume 3; The Hunger Games: The Ballad of Songbirds and Snakes; The Iron Claw; The Killer; Knock at the Cabin; May December; Menus-Plaisirs Les Troisgros; Mission: Impossible — Dead Reckoning Part One; Napoleon; Our Body; Poor Things; Renaissance; Showing Up; Taylor Swift: The Eras Tour; The Wonderful Story of Henry Sugar (and Three More); You Are So Not Invited to My Bat Mitzvah; The Zone of Interest

Other Bests of 2023

Other Bests of 2023

Best Cinematography (Film):
Asteroid City
The Iron Claw
Killers of the Flower Moon
Oppenheimer
Poor Things


Best Cinematography (Digital):
The Creator
The Holdovers
Magic Mike’s Last Dance
May December
John Wick Chapter 4


Best Sound:
John Wick Chapter 4
Killers of the Flower Moon
Oppenheimer
Spider-Man: Across the Spider-Verse
The Zone of Interest


Best Stunts:
The Iron Claw
John Wick Chapter 4
The Killer
Mission: Impossible — Dead Reckoning Part One
Napoleon


Best Costumes:
Asteroid City
Barbie
The Hunger Games: The Ballad of Songbirds and Snakes
Killers of the Flower Moon
Poor Things

Best Hair and Makeup:
Asteroid City
Barbie
Guardians of the Galaxy Volume 3
Killers of the Flower Moon
Poor Things


Best Production Design:
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things


Best Effects:
Asteroid City
Barbie
The Creator
Mission: Impossible — Dead Reckoning Part One
Oppenheimer


Best Original Song:
“Camp Isn’t Home” — Theater Camp
“Dear Alien (Who Art in Heaven)” — Asteroid City
“I’m Just Ken” — Barbie
“Live That Way Forever” — The Iron Claw

Best Score:
Asteroid City
Knock at the Cabin
Oppenheimer
Indiana Jones and the Dial of Destiny
Spider-Man: Across the Spider-Verse

Best Editing:
Asteroid City
The Holdovers
How to Blow Up a Pipeline
Killers of the Flower Moon
Oppenheimer


Best Adapted Screenplay:
Are You There, God? It’s Me, Margaret
How to Blow Up a Pipeline
Killers of the Flower Moon
Oppenheimer
The Zone of Interest


Best Original Screenplay:
Asteroid City
The Holdovers
May December
Past Lives
A Thousand and One


Best Non-English Language Film:
Afire
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
Our Body


Best Documentary:
Menus-Plaisirs Les Troisgros
Our Body
Renaissance
Taylor Swift: The Eras Tour


Best Animated Feature:
The Boy and the Heron
Chicken Run: Dawn of the Nugget
Elemental
Robot Dreams
Spider-Man: Across the Spider-Verse


Best Supporting Actor:
Dave Bautista — Knock at the Cabin
William Catlett — A Thousand and One
Robert De Niro — Killers of the Flower Moon
Robert Downey, Jr — Oppenheimer
Ryan Gosling — Barbie

Best Supporting Actress:
Emily Blunt — Oppenheimer
Hong Chau — Showing Up
Scarlett Johansson — Asteroid City
Rachel McAdams — Are You There, God? It’s Me, Margaret
Da’Vine Joy Randolph — The Holdovers

Best Actor:
Leonardo DiCaprio — Killers of the Flower Moon
Paul Giamatti — The Holdovers
Cillian Murphy — Oppenheimer
Joaquin Phoenix — Napoleon
Jason Schwartzman — Asteroid City

Best Actress:
Lily Gladstone — Killers of the Flower Moon
Margot Robbie — Barbie
Emma Stone — Poor Things
Teyana Taylor — A Thousand and One
Michelle Williams — Showing Up

Best Director:
Wes Anderson — Asteroid City
Christopher Nolan — Oppenheimer
Alexander Payne — The Holdovers
A.V. Rockwell — A Thousand and One
Martin Scorsese — Killers of the Flower Moon